Charlie Custer Jul 25 2013, 2:02 PM ET
In
March 2011, Rose Candis had the worst lunch of her life. Sitting at a
restaurant in Shaoguan, a small city in South China, the American mother
tried hard not to vomit while her traveling companion translated what
the man they were eating with had just explained: her adopted Chinese
daughter Erica had been purchased, and then essentially resold to her
for profit. The papers the Chinese orphanage had shown her documenting
how her daughter had been abandoned by the side of a road were fakes.
The tin of earth the orphanage had given her so that her daughter could
always keep a piece of her home with her as she grew up in the U.S. was a
fraud, a pile of dirt from the place her daughter's paperwork was
forged, not where she was born. Candis had flown thousands of miles to
answer her daughter Erica's question -- who are my birth parents? -- but
now she was further from the answer than ever.
Almost
exactly a year earlier, Liu Liqin had the worst day of his life. He was
out on a temporary construction job, looking forward to lunch and his
next cigarette break, when his wife called to tell him that their
two-year-old son Liu Jingjun was missing. Liu rushed home and began a
frantic but fruitless search for the boy. He and his wife called
relatives, ran to the local police station to report Jingjun missing,
and then fanned out through their city neighborhood calling the boy's
name and asking passers-by if they had seen anything. The police told
him they couldn't take the case because not enough time had passed since
the boy had disappeared. Finally, late in the evening, Liu thought to
check the footage from a surveillance camera at a building on the street
outside his family's apartment. Sure enough, when the video footage was
queued up, in a small corner of the frame, Liu could see a man, face
obscured, carrying little Jingjun down the narrow alley where the Liu
family lives. I met Liu for the first time in that same alley; he had
agreed to become the first subject of a documentary film I was making
about kidnapped children in China. "Watching the man in the footage
taking him away, I just..." Liu trailed off. "There's really no way to
describe that feeling."
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